Landscapes Dictated by the Shape of Natural Objects and Made up of Them

In a recent tutorial when talking about the large painting that I have produced where natural materials is mixed into paints, my tutor and I agreed that the synthetic plasticy paint was not creating a reconnection with nature and infact doing the exact opposite. Why was I hiding the natural materials under the surface of the paint if I was trying to reconnect art and nature and society and nature? I should be exposing it. Here I have experimented with creating landscape imagery out of visibly natural materials. I definitely think that these experiments emit a greater connection to nature than the pieces I have done mixing nature into acrylic, coloured paints. Also, Rather than trying to make the natural materials fit into the form or image of an existing landscape or existing mountain and manipulating them to represent a physical landscape such as the Brecon Beacons, I have used the natural shape of the twigs to dictate the shape of the scape, skyline, mountains etc. Here, the forms of nature has dictated the image, the twigs natural shape portraying a landscape and the leaves filling in the gaps, without them being snapped, changed, put under paint or withdrawn from their natural selves. Furthermore, the only colours within these pieces come from the natural elements themselves. This is a fairly simple way of making up an image, almost collaging the material onto wooden board, but I do think it is effective and definitely has a clear connection to nature and exposes the viewer to nature physcially. I have utilised the natural shapes of the objects here, the landscape has almost come out of nature.

However, this is quite a literal representation of nature and I think I would like my work to definitely be an art piece rather than just simply sticking found things to a surface and I feel that I could still include these natural colours and elements out of the natural world in other ways such as grinding them up and making paints from them. I think this experiment has taught me that if I am trying to reconnect people with nature and create a connection between nature and art then I must use natural materials and expose them and be creative about how I do so rather than disguising them within art materials such as paint.

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