Assessment Space

My Space is set up for assessment.  After seeing the size of the wall I had been given, I decided to display the landscape mark making experiments I produced on hand-made paper using my tools as well as the original plan of the three paintings, the tools and paints. I am very pleased with how the display looks. I have kept it quite minimal and I think it looks clean and proffessional.

Statement about my Display of Work

Natural Landscapes have for a long time, been a subject of artworks. John Piper’s ideas about creating an experience of being in a place within a painting and his work “The Rocky Valley” got me thinking about how some landscape paintings today document landscape visually but don’t really connect with the nature within the place.  I started thinking about how I could create connections between art and nature and expose people to nature in a world that is becoming increasingly urbanized and technological. After much experimentation, investigating how to work with the natural world within the art world, I decided to create a final body of work to bring my experimentation together and consolidate my findings. Three Natural Paintings, accompanying hand-made equipment and sixteen tool mark making experiments framed with twigs make up the space. The Colour Palette is dictated by Nature alone. Within this work, the landscape type images themselves have come from nature, the shapes of sticks dictated the form of the mountain shapes (these are displayed below the paintings). Inspired by my Field Modules, I have used elements from nature to both create the paints I have painted with and the tools with which I applied the paint. I have chosen to display the tools and paints that I have made on shelves with the outcomes as I see them as artworks in their own right and give the audience an insight into how the work was produced and visibly show the relationship between art and nature that I am portraying.

I now just need to display the jars of paint on the top shelf and my space for assessment and an exhibition is complete.

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Further Experimentation with Natural Paints

After experimenting with the natural paints that I have created in my sketchbook, I decided to produce some mountainous images on board. I took the shape of the mountains from twigs, painted with natural substances and also used sticks to apply the colour: articulating numerous relationships between art and nature. I feel that these experiments look very natural and communicate the colours of the earth, browns, greens and tones of yellow. I also managed to create a convincing bluey turquoise colour, using bluebells with which I portrayed a sky feel to the experiments.

These images are possibly a bit too aesthetic and I think if I experimented applying the natural paints with some nature tools that I have created they could be more gestural and even closely more related to my ideas. I have been communicating a connection between art, place and nature and I definitely think these experiments are successful in doing so, I am now thinking about the final outcome for the project and want to sum up my ideas and display my findings. Brainstorming begins.


Experimenting with Natural Paints on Canvas

I decided to experiment with painting my natural paints onto canvas. I wanted to evaluate which is more successful to paint them onto board or canvas.

After this experimentation, I feel that board is more appropriate, the colour seaps into the canvas more and doesn’t sit as well on the rough texture and I will be bearing this in mind for when I am thinking about making work for my assessment space.


Cave Paintings: Art/Paint Originating from Nature

Art actually originated from nature which is highly relevant to my project. Cave paintings were the first medium based art dating back to around 18,000 years ago. People used natural materials to grind to make pigments to paint with. Cave painting paints usually consisted of pigments such as earth/soil, clay and charcoals mixed with a binder such as spit or animal fat. It is interesting that painting itself was developed out of nature and created using products from the natural world.

I am exploring a connection between art and nature within my work and attempting to incorporate the natural world and natural materials into my art making in a variety of ways. Grinding my own pigments would definitely make my work more deeply connected to nature because nature itself would be the components of my paints.


Landscapes Dictated by the Shape of Natural Objects and Made up of Them

In a recent tutorial when talking about the large painting that I have produced where natural materials is mixed into paints, my tutor and I agreed that the synthetic plasticy paint was not creating a reconnection with nature and infact doing the exact opposite. Why was I hiding the natural materials under the surface of the paint if I was trying to reconnect art and nature and society and nature? I should be exposing it. Here I have experimented with creating landscape imagery out of visibly natural materials. I definitely think that these experiments emit a greater connection to nature than the pieces I have done mixing nature into acrylic, coloured paints. Also, Rather than trying to make the natural materials fit into the form or image of an existing landscape or existing mountain and manipulating them to represent a physical landscape such as the Brecon Beacons, I have used the natural shape of the twigs to dictate the shape of the scape, skyline, mountains etc. Here, the forms of nature has dictated the image, the twigs natural shape portraying a landscape and the leaves filling in the gaps, without them being snapped, changed, put under paint or withdrawn from their natural selves. Furthermore, the only colours within these pieces come from the natural elements themselves. This is a fairly simple way of making up an image, almost collaging the material onto wooden board, but I do think it is effective and definitely has a clear connection to nature and exposes the viewer to nature physcially. I have utilised the natural shapes of the objects here, the landscape has almost come out of nature.

However, this is quite a literal representation of nature and I think I would like my work to definitely be an art piece rather than just simply sticking found things to a surface and I feel that I could still include these natural colours and elements out of the natural world in other ways such as grinding them up and making paints from them. I think this experiment has taught me that if I am trying to reconnect people with nature and create a connection between nature and art then I must use natural materials and expose them and be creative about how I do so rather than disguising them within art materials such as paint.


Landscape Drawings Taken from the Shape of Twigs

I decided to draw more detailed landscape drawings from the stick experiments that I produced. These landscape drawings have a deep connection to nature because they are convincing landscape images but they are taken from the shapes of twigs naturally formed in the environment. I have drawn them as I drew the Beacons inspired by John Piper. I have incorporated the mark making within them as these hieroglyphic type shapes that I have picked out from the mark making in John Piper’s Rocky Valley work were very interesting and an element that I should integrate not only into these new drawings formulated from nature but also back into my paints as they have been slightly lost and overshadowed along the way.

It is interesting that these scapes are not existing landscapes but are convincingly so, when in fact the shape of them came directly out of nature in the form of the shape of twigs. I definitely think these drawings are more intriguing as the shape of them has come from the natural shapes of natural elements themselves.


DRAWING: Twigs Dictating a Landscape Experiments

I decided to draw the landscape experiments that I created by utilising the natural form and shape of the twigs I have found. I feel that by drawing the twigs, the landscape elements of the arrangement have become even clearer. I think the drawings are visually interesting and have more of a connection to nature than if I had made drawings from a stick piece that I had tried to make look like an existing landscape. Nature has created the shape of the landscape and the shape of the skyline. The shape of the sticks is what determines the shape of the landscapes.

I feel that drawing these sticks making up landscapes has allowed me to see the scape they are making up more clearly and I will now use these drawings to make more detailed landscape drawings like I have done from the Beacons previously within this project, the difference being that nature has made up these landscape images and so they will have a deeper connection with it rather than just simply drawing what I see.