Assessment is approaching, and I am starting to think about consolidating my project and working out what I want to show on the wall. I have sifted through my experimentation and come to a conclusion as to how the greatest connection between art and nature is made, simply by being more natural with my materials and more inventive in my approach to how I use them rather than just sticking them to the surface etc.
My project started off being inspired by a landscape painter, I have always been interested in Landscape and producing landscape style pieces with these materials will not only emit a connection with nature but the landscape in my eyes will be more connected to the outdoors as it incorporates items from the environment. I challenge traditional flat landscape paintings and reinvent them using natural materials. People recognise a landscape painting and so using this imagery as well as my natural paints and tools to make art will emit a connection between art and nature to people more recognisably and somewhat expose them to and reconnect them with nature in a world that is growing more and more urbanized.
Triptych Landscape Painting
I have produced a triptych of landscape paintings connected to nature in far more ways than just the imagery. The landscape images themselves are taken from nature, I have referred to the shape of twigs to determine the shape of the mountains and hills. The paints used to paint these are made from natural materials and they have been applied with brushes and tools made from leaves, sticks, grass, pine cones, etc. The colour palette has only emerged from what nature has to offer and so is recognisably natural.
Working with nature is a highly experimental and interesting process, each paint incorporated a different texture into your work and each tool creates a different mark.
I definitely think these pieces are successful in portraying a connection between art and nature. When I started experimenting with these ideas, I would never have imagined I would have ground my own paints and create my own painting tools (inspired by field). Experimentation and trial and error have been key elements in my work and have aided my success.
A relationship between the art world and the natural world is clearly evident here and against a white wall I am confident that the natural colour pallette will stand out and so I have chosen to use these within my assessment space, I feel that the paints I made and the tools I produced are artworks in their own right, taken from nature and utilised as art materials and so I will be displaying these in my assessment space as well. As well as these pieces and my tools and paints, I will paint a line drawing style landscape onto handmade nature paper with each of the 16 of my tools and display those aswell. Mark making has been integrated throughout my project and so showing the marks that the tools can make more gesturally to accompany these more clean final style outcomes could make for an interesting display utilising nature in art.
After exploring the possibilites of creating paint using natural materials I decided that rather than just putting a blob of it on a page and writing down the ingredients next to it, I would try and use it to paint an image with. In my Sketchbook, I have explored blending the paints and using different mixtures of paint next to one another to create a landscape type image where the shape has been dictated by the shape of a twig.
Some of the paint surfaces are quite textural, others quite smooth, they all have different qualities. At first, I didn’t like the bits in the paints and wanted them to be smoother but actually having little bits of nature on the work that haven’t quite ground up makes the fact that the paint has been handmade more evident. I have used darker and lighter colour outcomes to create highlights and shadows and experimented painting one on top of the other. I had to let some dry before I could paint on top or blend the colours together successfully. It is very satisfying to create an image from paints that you have made yourself. These artworks are deeply connected to nature as not only are they painted using natural paints but they are also made up landscapes dictated by the shapes of natural stick forms that I experimented with previously. Experimentation has been key within my project to explore the possibilites of a relationship between art and nature and to create art that has a connection with it and could portray that to society/the viewer. I will experiment out of my sketchbook as well and maybe think about trying to paint with the natural paints using hand-made natural tools that I have created.
Continuing with my concept of my work having a connection to nature and place, I decided to experiment further with creating a connection to nature by physically using nature itself within my work. Today, I experimented with drawing with soil so that my drawings have a connection to the outdoors and the area the soil came from.
I couldn’t just draw with soil by itself as there would be no way of it staying on the paper and nothing from stopping it from drying and crumbling. I decided to mix it with PVA glue to create a kind of soil paint that I could draw with and use to make marks.
I am pleased with these outcomes, It is interesting how the more soil you add to the glue the darker it is and vice versa. The drawings are very tonal and textured. The colour of the soil paint is all natural and you can still physically see the grains of soil but the medium has the properties to be applied like a paint or ink. Connecting my work to nature by including nature itself into my work is something I am going to be continuing with throughout my project. Combining the art world with the natural one and producing successful outcomes.