ROMANTIC LANDSCAPES: A lecture by Jon ClarksonPosted: November 13, 2014
What is my place in the world?
Do I belong there?
Caspar David Friedrich – Monk by the Sea
Comparing it to a classical Landscape – Richard Wilson, The White Monk 1760-65
Caspar David Friedrich – Morning in the Sudeten Mountains 1810-11
How does Friedrich’s painting differ from wilsons? Colour palette, mood.
How do the painters think about religion?
Wilson seems more distant from religion than Friedrich. Friedrich is thinking of religion organising our relationship with the natural world.
In Caspar David Friedrich – Monk by the Sea – What time of day is it?
Written about as a lightless dawn. For the monk, the dawn isn’t important as it is for the pair on the mountain in the other piece.
Do you think that this place is real or imaginary?
It is a culmination of experience . Long flat horizon. Empty paintings.
Jan Van Goyen – View of Harlem 1646
Alternating pattern of light and dark, Colours lighter in the distance, more full of colour in the foreground. There is more cloud perspective than in friedrichs work. Friedrich’s is much flatter. Distance becomes flatter and more immense because there are no markers in it.
Mark Rothko 1969 – Is there still distance in this picture? Does it look like a place to you? There are similarities to Friedrich’s work. It is stark and there is a fluctuation between flatness and deep space.
There is a lot of fine detail in Friedrich’s Monk by the sea. It makes it look more like a portrait of the place. When you notice a painting has fine detail, you walk in closer to it. Having an intimate relationship with the work. The artist must be thinking about where he wants the spectator to be. The monk isn’t entirely resolved in himself.
What is the relationship between these figures and their surroundings?
Caspar David Friedrich – The wanderer above the sea of mist
The figure is taking possession of a view, dominating the landscape. He wants to be there and he is in control.
The Chasseur in the Forest 1814
The landscape is dominating the figure here, he has no horse, he is lost and not in control. He’s french, the forest is german. Friedrich is a nationalist. German land rising up against the french invaders. Vulnerable.
Francis Danby – Romantic Woodland landscape 1824-5
Will nature accept us? Romantics think of nature in a more psychological way than an ecological way.
Anselm Kiefer, Varus 1976 – For Kiefer, Germany begins with Slaughter in the forest.
Marina Neudecker – Things can change in a day 2009
Models in vitrines suspended in liquid. Does the vitrine intensify the situation or distance you from it? Like a cinema screen, they encourage you to project yourself into the scene.
How does a group rather than a solitary figure alter the confrontation with nature?
Caspar David Friedrich – Chalk Cliffs at Rugen 1818 – less vulnerable, more people – However, not a strong sense of communication.